Yesterday was the deadline for the Communication Arts Typography Competition. I decided to enter the image above, an altered version of the Blow Up Flyer I created for the San Francisco Blow Up Forever party. I loved the flyer we created but I wanted to send something simpler and a step more conceptual. The paper letters actually blowing up out of the paper are super fun and I wanted to utilize the natural shadow they create when shooting them in the sun. This is the original, unretouched photo I used:
The idea of using the shadow keeps the image simple and natural. If something was literally blowing up out of the paper it definitely leaves that shadow (as proof above). This is what I love about using tangible items to create artwork, rather than making it up yourself on the computer. The one extra step of creating physical letters gives me the 3D image and the shadows to work off of.
The result, Blow Up and Get Down!
I’m doing research for a personal project and I wanted some amazing space photos. My brother in law recommended looking on the Nasa website, of course! I was not disappointed. There are a lot of amazing images of moons and planets but I’m mostly drawn to nebulas and dust and warped clouds and galactic rings. The above are some of my favorites and best inspiration.
I was just perusing through this year’s Communication Arts Typography Annual and came across this lovely poster by Sean Freeman. Obviously, there is a lot of typography in the annual to be admired, but this one struck me especially. I love the use of actual objects to create type, such as I’ve been exploring with paper recently. The poster is also a significantly appropriate style for the band.
Check out more of Sean’s incredible work at Levine/Leavitt—it’s all pretty mind blowing.
I’m preparing for a short stop motion film for my friends’ website. They are starting a new brand for screen writing and filmmaking together and we need some imagery. The idea is to create several short videos that are classically cinematic and then use them super-sized, running in the background of their content. One image they’ve created is the well-used flying through stormy clouds, lightning flashing, and coming across the logo floating in the air. I decided to “Michel Gondry” the idea by creating a stop motion video of the idea. I started with the paper letters that I’ve already created and am now creating and test shooting the clouds (seen above). The clouds will keep me busy for a while, then on to the foil lightning bolts.
I recently rocked my letter “B” paper construction for my friend’s facebook profile photo. The typeface is Cambria bold, approximately 3″ high. I went for it and added serifs this time to these paper constructions with great success. I have a full logo for Bishop/Tuzin created—I’ll post that next.
Many years ago I created these houses out of clay. They were fired without glaze because our school’s glaze was pretty much of home made quality and I didn’t trust it. I wanted some Dr. Suess type colors—pink and purple and green and red—that were bright and brilliant. Thus, they went uncolored for many years. The other day, I woke up and had the idea to just spray paint them chrome. The next day I bought the paint, the next day they were painted. I love their new color and what a great feeling to finally finally finally finish.
I just posted my final images of this project on Behance, but I wanted to follow up with a blog post (since I haven’t done one in a while). These are the final images used for the Smitten website. The background image was a hard one to get perfect, but fortunately we found an amazing image that looks its actual 3-dimensional style that it is. The last image I used was a little too glowing and not casting enough hard shadows.
This turned out quite nice, I’m not sure how much time this would have taken if I had just built the whole thing in photoshop rather than making custom paper art. Either way, I’d happily spend all of the hours cutting paper than creating fancy brushes hunched over a computer, even if it takes more time.
This website was worth it in so many ways—an awesome portfolio piece and I was paid in private yoga lessons. Portfolio and a new yoga practice? Thank you very much.
While starting photo shoots for my new brand, A Common Name, I got a few distractions. There are a few too many adorable animals trying their own layouts or probably just flat out disapproving my designs. They are way too cute to get mad at, so we happily documented their ideas..
The holidays have slowed up my posts and my projects, everyone is on vacation or working half-time right now. Luckily, we received some great news today! A short indie film I worked on a couple years ago is now available on iTunes. The film is called Without and was written and directed by Gregory F. Tuzin and Brent Bishop. These two collaborators were excellent clients—they usually tell me their concept and then say, “Go for it!”. They give me free reign on design and let me explore as much as I want.
For Without, I worked with water colorist Beverly Tuzin to create the promotional poster. We selected a few screen shots and asked Beverly to water color the characters and background. The idea was to recreate the scene to really show the dry, arid, and sparse landscape the characters inhabited. After Beverly delivered, I incorporated a logo that I created using india ink and a cut out potato. I also used typefaces that I had printed out, redrawn, and scanned to create brand new typefaces that were now extremely distressed.
You can view the poster on the top left of the above images. The rest of the images are screen shots from the film and title sequence. The inked logo and the newly distressed fonts also appear in the horizontally moving title sequence of the film.
Support our artistic endeavors and purchase the film on iTunes! We are so excited to have the film at a convenient place to purchase and to share, so please direct your friends and family to the film as well.
The above photo is the title of a project I’m working on for Gregory Tuzin and Brent Bishop. “The Story of Emily in the Afterlife” is a fantastical script they are currently writing with (happily for me) lots of paper in it. Remember my paper forest? This is part of the same setup. It will live in the outer ring at the bottom. I can’t even think about how these will be set up for photographing.
I’ve been continuing to take a lot of photos with my iphone and capturing some great moments in my travels. I’m keeping a theme of not caring about clear and crisp quality. These photos find the mood of the world I found myself in which inspired much creativity (the result was not these photos). Sometimes a good 6 hours alone in a car will force some thoughtfulness into your life.
Those of you that know me, know that I adore crows very much. They’re always an omen to me and I’m fascinated by their intelligence. I’m happy my new friend posed so well.
To fit the final design of the forest concept, I had to create cylindrical setup. I found some great black wire to make loops in order to mount the trees all around. I super glued the trees directly to the wire (sometimes my fingers with it) and most of them stood up beautifully. The ones that didn’t, I had to create an extra single wire support behind, which worked well.
We don’t have the proper setup to do some test shoots, so I did a quick rig on a c-stand to see if I was on the right track at all. The rig taught me a few things: I need a couple more loops of trees, the loops need to get about 1″ bigger each step I recede back, I need to create a sturdier rigging to link all of the loops together, and I was completely on the right track!!!
Most of these things are not too hard to fix, it’s just more hours of work. I’m super excited that I might actually pull this off.
Here’s a quick photo of a work-in-progress. I’m creating a paper forest for a very large diorama. The end diorama will be 4′ x 6′, the largest scale project I’ve worked on (so far).
The whole project is quite a large undertaking and the forest has logged quite a few hours itself. I’m a perfectionist and it’s hard not to cut all of the trees perfectly. They do not need to be, so I’m working on trying to get a little imperfect and filling in the gaps quickly with black marker afterwards. I’ve been experimenting with the right thickness of paper. It started with foam core (ridiculous idea!) and ended with two sheets of text weight paper Super 66′d together.
Next up, how to rig these things up?